The poems in McAuley’s All I Can Say for Sure range from personal archaeology and elegiac fictions of free translations to grammar wordplay for the initiated to a compassionately ironic look at the passing of life to rewired material extensions of our inner and outer spaces. McAuley’s meditations upon the details of quotidian life and historical personae are rendered with the syntactical precision of a linguist and the metaphorical density of a riddler.

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