Urgent and precarious, the poems in The Rapids, Susan Gillis’ third collection, take us to places lost and reclaimed: a balcony high over the St. Lawrence River in downtown Montreal, upstream to the Lachine Rapids, and beyond, to landscapes as far apart as Greece and the B.C. coast.

In the same way that Hokusai depicted the sacred Mount Fuji from different vantages at different times of year and day, Gillis depicts the St. Lawrence and the Lachine Canal in spring, summer, winter, and fall, from dawn to dusk, as a background to ordinary and sometimes extraordinary experiences.

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