Jacob Wren creates literature, performances and exhibitions. His books include Unrehearsed Beauty (1998), Families Are Formed Through Copulation (2007), and Revenge Fantasies of the Politically Dispossessed (2010). As co-artistic director of Montreal-based interdisciplinary group PME-ART, he co-created the performances En français comme en anglais, it’s easy to criticize (1998), and the HOSPITALITÉ / HOSPITALITY series including Individualism Was a Mistake (2008), The DJ Who Gave Too Much Information (2011), and Every Song I’ve Ever Written (2013). International collaborations include a stage adaptation of the 1954 Wolfgang Koeppen novel Der Tod in Rom (Sophiensaele, Berlin, 2007); An Anthology of Optimism (co-created with Pieter De Buysser / Campo, Ghent, 2008); Big Brother Where Art Thou? (a project entirely on Facebook, co-created with Lene Berg / OFFTA / PME-ART, 2011); and, No Double Life For The Wicked (co-created with Tori Kudo / The Museum of Art, Kochi, Japan, 2012.) Wren travels internationally with alarming frequency and frequently writes about contemporary art.